Suburbs and Evangelicals (Why Do High Churches Get All the Good Artists Pt 2)

The following is part of a series on American evangelicals, considering why American Christian artists who produce high quality work tend to Catholic, Anglican, Eastern Orthodox or other high church denominations. In my last post, I argued that Presbyterianism seems to attract artists who don't go further down the high church spectrum (Catholicism, Anglicanism/Episcopalianism, etc), …