The titular main character in Robert Bresson's film pickpocket, sitting in a bar and observing people. Image source

Transcendental Style (God in Film Pt 9)

This blog post really should have come earlier. When I started this blog series on how literally showing God or angels in movies may always feel cheesy and therefore we should consider alternate ways to talk about the divine, I mentioned two writers who've really influenced this series: Roy Anker and Paul Schrader. Anker argued …

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